25/6/16

2015·exposición, Geometría, Color y Musicalidad, PARIS 24 (81x130cm)- NEPAL (80x80cm)-EUROPA 15.19  AFRICA 20-25 (100x100cm each) -GRECIA 5PARIS 21(180x90cm each) digital geometría by ILUMINADA GARCIA TORRES, Centro Municipal Exposiciones de ELCHE,15 mayo al 6 septiembre 2015Exposición Ateneo Científico, Literario y Artístico de Alicante, 7-30 octubre 2014
2015·exposición GEOMETRIA, COLOR y MUSICALIDAD Brooklyn 72 (90x180cm)-NewYork 59 (90x180cm), NY30 (90x90cm), NY55 (90x180cm), NY64, NY72 (130x81cm each) -Universo 72 (90x90)-Sweden 3 (116x81cm)-Berlin 5dçh, 5fçh8 (150x50cm each)-Suecia 8 (116x81cm)-Universe 34 (100x100cm) digital geometría by ILUMINADA GARCIA TORRESCentro Municipal Exposicion de ELCHE 15 mayo - 6 septiembre 2015
2015·exposición GEOMETRIA, COLOR y MUSICALIDAD-Suecia SWEDEN SVERIGE 3 by ILUMINADA GARCIA TORRES,(digital on canvas 116x81cm) 
MARIA ILUMINADA GARCIA TORRES
1949 Elche Elx (Alicante) España,SPAIN
1965-1970 Enter and Studies Professor Drawing at the Superior Academy of Fine Arts of San Fernando, Madrid and Faculty of Fine Arts COMPLUTENSE UNIVERSITY, MADRID. At the first course 1965-66, is the painter Antonio López García the teacher of ILUMINADA GARCIA TORRES and in 1969 Eusebio Sempere, year that reconciled the teaching with the research at the Computing Center of the Complutense University of Madrid.

Catalogs of exhibitions made by ILUMINADA GARCIA TORRES (ELX 1949) of Geometric Art: Pictorial, Sculpture and DIGITAL that she started in 1991 with  Geometries: COMBINABLES, TRAZADO ESPACIAL CONTINUO and THE THREAD OF ARIADNE, formulating continuous mathematics and geometry for her work. Previously, she worked 25 years (1965-1990) in painting, design of architectural compositions of geometry and in the two paintings, oil/canvas (1986-88) that ILUMINADA GARCIA TORRES made in the MUSEUM NACIONAL del PRADO (Madrid) of ARIADNE DORMIDA en NAXOS, marble sculpture. (exhibition paintings at the Galería Albatros, Madrid 1990)
 geometry digital by ILUMINADA GARCIA TORRES  numerical-drawings.blogspot.com
ILUMINADA GARCIA TORRES
Alicante. España SPAIN
(+34) 696302487
2004·Triptych Digital El Hilo de Ariadna-utopia: sinfonía, sonata y penta by Iluminada Garcia-Torres (imagendigital/ canvas 285x200 cm). exhibition Música y Arte II, catalog nº 46. Palau Música of VALENCIA 2004


iluminadagarciatorres.blogspot.com
contac (+34) 696302487

LA MIRADA ACTUAL
Tuesday, June 2, 2015
02/06/15.- ILUMINADA GARCIA TORRES (Elche 1949) she has made a Retrospective Exhibition with the title of Geometry, Color and Musicality, digital diagrams and painting 1991-2015, in the Municipal Exhibition Center of the city, Elche-Elx.
Julia Sáez-Angulovicepresident of the Madrid Association of Art Critics, AMCA, and member of the AECA / Spain International, writes in the catalog:
Geometry, Color and Musicality are three concepts of the eurythmy that emerges from the artistic work of ILUMINADA GARCIA-TORRES.
Geometry in which the rhythm of a musicality visible to the eyes is appreciated, inaudible, only in appearance.
She draws the dancing rhythm of a musicality that manifests herself in the wise administration of color on the support of paper, canvas ... geometry that dances; a musicality that is expressed in colors. Kandinsky already talked about it when he attributed musical notes to colors. Look at the sounds, hear the color.
Since the 90s she, ILUMINADA GARCIA-TORRES has a coherent research trajectory in Geometric Art, painting, sculpture and digital diagrams, from her work of Continuous Spatial Tracing, 
Combinables to El Hilo de Ariadne. Geometry, color, rhythm and musicality are present in a creative world of lines, circles, squares, pixels ... designed by her artistic mind. Without leaving the painting, she uses the new technological means, which are fundamental in the generation of her innovative geometric artworks.
Geometry, Color and Musicality, is the conceptual key that describes the digital and pictorial geometrical work of ILUMINADA GARCIA-TORRES.
The lines drawn in the space reticular square, horizons that expand in cartographies of the musicality, express in the digital geometries of ILUMINADA GARCIA-TORRES a perception of she  at different countries, continents or cities: MUSICALITY-Sweden-Madrid-South America-Berlin -NewYork-MumbaiBombay-Beiying-Europe-GreeceGrecia-Tokyo-Paris-Nepal-Brooklyn-Africa-Universe.   
ILUMINADA GARCIA TORRES, in 1965-1970 she ingress and studied Professor of Drawing at the Superior Academy of Fine Arts of San Fernando, Madrid and Complutense University of MadridShe lived in Madrid until 1997 and later in London, where she was a guest artist at Gasworks Studios of London, and since mid-1999 she resides in Alicante. In 2000 she returned to London to make an exhibition at Hortensia Gallery, Kensington and Chelsea College in London.                                                                                                                               
In 2003 ILUMINADA GARCIA-TORRES presented her geometry research, El hilo de Ariadna-Combinatoria, with the new technological media. Geometric art: one hundred works (200x100 cm.each) for the Art Collection of Hotel H. Amerigo, Alicante.                                                  
In her Continuous Spatial  Drawings, she, the painter ILUMINADA GARCIA TORRES highlights each brushstroke in an affirmation of the energy, lines in brushstrokes of unique gesture, singular each  of the lines in the meditative trajectory  of rhythms in color gradations in the squares of her works in Geometric Art, and in the geometry compositions, with the new digital media, the PIXELS  constitute the structure of the lines.
Texto catálogo por Julia Sáez-Angulo exhibition GEOMETRIA, COLOR y MUSICALIDAD diagramas digitales y pintura de ILUMINADA GARCIA TORRES, en el Centro Municipal de exposiciones de ELCHE, 15mayo- 6septiembre 2015

50 YEARS OF TRAJECTORY PICTORIAL AND DIGITAL GEOMETRY
Text by Viviana Rodríguez Gimeno (2015)   
ILUMINADA GARCIA TORRES (1949 Elche) celebrates 50 years of her Pictorial work and Digital Geometric Art.
It is in 1986, when the appointments, she paints the marble sculpture of Ariadna in the Prado Museum and finds a new pictorial concept in her work. If the teachers of quantum physics, theory of everything, make hypotheses of the universe. The painter ILUMINADA GARCIA-TORRES discovered in the mythology of the Thread of Ariadna the point to develop in the Geometric Art and to find a full significance to her work.
The concepts that give name to the exhibition Geometry, Color and Musicality by ILUMINADA GARCIA-TORRES encompass the extensive work, the intense dedication and the innovative research and reflection of she in geometric art.
Each brushstroke of her has its mathematical reason and makes each line unique, of harmony in a lucid composition and combinatorial of color in turn incalculable, and Musicality, perhaps for the spectators of her geometry work, is creativethat feeling of musicality. A rhythm of vitality, eurythmy of shapes and color, which makes it possible to glimpse the whole geometric universe in equilibrium created by ILUMINADA GARCIA-TORRES in her painting of Continuous Space Path and digital diagrams printed on canvas Ariadne's thread -Musicality in which she shows her perception of different cities, continents, countries ... - Sweden-Beijing-Africa- Madrid-Greece-New York -Mumbai Bombay-Europe-Tokyo- Paris-Brooklyn-Nepal-Berlin-Latin America-Universe- ...GEOMETRY, COLOR and MUSICALITY of renewal in Geometric Art.
50 AÑOS DE TRAYECTORIA PICTORICA Y DIGITAL GEOMETRIA
Text catalog by Viviana Rodríguez Gimeno 2015                                                                                  
exhibition GEOMETRIA, COLOR y MUSICALIDAD diagramas digitales y pintura de ILUMINADA GARCIA TORRES
Centro Municipal de exposiciones de ELCHE, 15may-06september 2015

LA MIRADA ACTUAL enero 4, 2014
Iluminada García Torres investigates in her Digital Geometry, Mumbai Bombay.
text by Julia Sáez-Angulo
ILUMINADA GARCIA TORRES (ELCHE 1949) investigates in her Digital Geometry artworks that she denominate Mumbai Bombay, in wide view and reflection on Asia.
In fact all her work in geometric abstraction begins with the proposal that she formulated in the catalog of her exhibition Combinables in 1993, where is the origin and the mathematical reason that ILUMINADA GARCIA-TORRES has developed in the geometry digital works, Tokyo, Beijing and now Mumbai Bombay, in hers Asian contemplation. She declares that after the New York digital geometries, she became interested in Asia in concepts of musicality, color and though.
text by Julia Sáez-Angulo                                                                                                           
International Association of Art Critics, AICA

SOUNDS OF PAINTING Música y Arte II
Text by Laura Sanz García (2004)
Pascual Patuel Chust (2004)
IILUMINADA GARCIA TORRES, (Elche, Alicante, 1949) she  has made a decided commitment to Geometric Art, developing orthogonally organized shapes and colors. Following paths opened by the geometric Kandinsky of the German Bauhaus, author of POINT AND LINE ON THE PLANO, and Dutch Neoplasticism, ILUMINADA GARCIA TORRES 
understands her painting and her sculpture as a mathematical system of proportions and geometric shapes.
ILUMINADA GARCIA TORRES achieves to formulate, in 1991, a basic module of squares, where she drew the points and lines. This module will be the beginning of future experimentation in Geometric Art. 
A geometric and mathematical cosmos, that ILUMINADA GARCIA TORRES considers independent worlds, but participants of the totality, calculated according to systems of proportion in their measurements.  The relation between full space and empty spaces is dynamic, because it generates multiple variations, determined by the color, shape, number, and direction of the lines, an interactive space that generates an integrating harmony of all the geometric elements in the composition.
The thread of Ariadna, is the generic name that has adopted to denominate to her work ILUMINADA GARCIA TORRES, as a consequence of painting (1986-88) the marble sculpture of Ariadna of the Museum of the Prado, in which she discovered a harmony of geometric y order mathematician that was to preside over her future work. The space research has been formally complicating his proposals with a multiplication of rhythmic sequences, parallel to the world of music, pictorial geometries that she calls Continuous Spatial Drawings. From this proposal her work is incorporated into the new technologies applicable to the art of painting.
The recent works of ILUMINADA GARCIA-TORRES, geometries of infinite development of the combinatorial of color and the process of the image generated by computer where the brushstroke is now structured by the pixel (picture element), dot in a rectilinear grid of points to form a geometric digital image.
With this digital process of the image, she has made the geometries of the present exhibition Música y Arte II. They constitute the beginning of a new series whose dot of expansion is musicality.
ILUMINADA GARCIA-TORRES has been able to see and work on the aesthetic aspects offered by the graphics of the musical notation. The pentagram or tetragram constitute the linear structure where the musical "signs" are deposited, she attempt to evoke the true graphia, which allows it to develop formal investigations related to Optical art and suggest virtual movements.
Text by Laura Sanz García (2004) Carlos III University of Madrid
Pascual Patuel Chust University of Valencia
Triptych digital El Hilo de Ariadna-utopia: sinfonía, sonata y penta (canvas 285x200cm) by ILUMINADA GARCIA TORRES, exhibition Música y Arte II, catalog nº 46. Palau Música of VALENCIA 2004
01/december/2004 to 16/january/2005
Pintura óleo/canvas 130x146 cm (1988) de la escultura de mármol de ARIADNA realizada en el Museo Nacional del Prado (Madrid) by ILUMINADA GARCIA TORRES. (exposición Galería Albatros, Madrid 1990)
1995·Texto by ILUMINADA GARCIA-TORRES catálogo exposición Premio Pintura L´OREAL XI Edición. Centro Cultural Conde Duque. Madrid 1995
2000·texto Vicente Verdú, catálogo exposición Trazado Espacial ContinuoHilo deAriadna, by ILUMINADA GARCIA-TORRES, Centro Municipal Exposiciones de ELCHE-ELX, del 5 al 31 mayo, 2000

GASWORKS STUDIOS, LONDON
Iluminada Garcia-Torres (Spain)
1 December 1998 - 1 March 1999
This is the first time you will see the work of Iluminada Garcia-Torres (1949) in the United Kingdom. During her residency at Gasworks, she has produced new works with the referent of the marble sculpture Ariadne at the Museo del Prado, in Madrid, I discovered that the harmony she evoked was fitted perfectly a geometric and mathematical pattern.
Iluminada García-Torres seeks to achieve harmony through the expression of the moment, constituted by line-space-time within proportional relation with the square structures. The singularity of each line is a step towards Light. 
published by Alessio Antoniolli 1999 GASWORKS STUDIOS, LONDON

MARIA ILUMINADA GARCIA TORRES
1949 Elche Elx (Alicante) SPAIN
1965-1970 Ingreso y Estudios de Profesorado Dibujo en la Academia Superior de Bellas Artes de San Fernando, Madrid y Facultad de Bellas Artes UNIVERSIDAD COMPLUTENSE, MADRID.
En el primer curso !965-66 es el pintor Antonio López García el  maestro de ILUMINADA GARCIA TORRES y en 1969 Eusebio Sempere, año que concilió la docencia con la investigación en el Centro de Cálculo de la Universidad Complutense de Madrid.
1965·Academia Superior de Bellas Artes de San Fernando, MADRID.

ILUMINADA GARCIA TORRES
Avenida General Marvá 14, 1ºizquierda, 
03004 Alicante. SPAIN